Review of The Hoax (2007) by Anthony Lane for The New Yorker — 26 Apr 2011
Their kinship (Gere/Molina)--wholly unsexual yet lit, like that of Martin and Lewis, with an exasperated love--is the beacon of the movie, and it just about survives the lengthening shadows of the later scenes.
You can read the full review where it was originally posted online.
This review of The Hoax (2007) was written by Anthony Lane and published by The New Yorker on 26 Apr 2011.
The Hoax has generally received mixed reviews.
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