Review of The Hitcher (2007) by Matt Zoller Seitz for New York Times — 20 Jan 2007
The movie genuflects toward pop depth in a scene where Grace sprawls on a motel bed watching Alfred Hitchcock’s "Birds," another thriller about implacable, undefined evil, but there’s a difference between refusing to give viewers the answers and having nothing to say.
For all its death-metal vigor, The Hitcher falls into the latter camp.
You can read the full review where it was originally posted online.
This review of The Hitcher (2007) was written by Matt Zoller Seitz and published by New York Times on 20 Jan 2007.
The Hitcher has generally received mixed reviews.
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