Review of The Guard (2011) by Halfwelshman — 11 Sep 2012

The Guard is a truly fine black comedy. It has a fantastic central comic performance from Brendan Gleeson, who plays Sergeant Boyle, a strange amalgamation of the classic good cop/bad cop partnership we're used to seeing in movies, with a twisted sense of humour and questionable morals, but with a heart that is ultimately made of gold, and manages to contain it all within his own imposing Irish frame.

Don Cheadle also impresses as Agent Everett, an FBI consultant assisting in the search for a gang of ruthless smugglers (a sinister Liam Cunningham, a terrifying David Wilmot and Mark Strong doing what he does best), and makes a great straight man to Gleeson's less-than-serious Garda.

There's numerous side-splitting moments of comedy in the blackest shade to be found in the film's beautifully penned script, by director John Michael McDonagh. Like his brother Martin, McDonagh seems to possess an uncanny ability to see the funny side of the bleakest of situations, and with the addition of a liberal sprinkling of Irish cultural eccentricities, The Guard becomes a real comic masterclass.

Western iconography is also transferred surprisingly well from the American Old West to the film's rural Irish setting, with a particularly fine finale where Boyle and Everett go into battle against the bad guys, all guns blazing, a scene that could have been taken from any classic of the genre were it not for the presence of sea salt and copious Celtic-accented swearing.

The Guard is a joy to watch - a sensational genre mash-up of cop films, buddy movies and Westerns with a cracking script, memorable performances and a healthy Irish pragmatic view on the world.