Review of The Great Gatsby (2013) by Jasonbowden1000 — 12 Oct 2013
Easily superior to both the 1974 and 1949 films, a gaudy, fast, noisy, overloaded, gorgeously detailed style matches the novel's smashed up atmosphere of distortion and excess. Convincing performances from the entire cast render characters more lifelike than the novel.
While it could be a perfect film, the director created a blemish by making the story Romeo and Juliet, when it is meant as Don Quixote. The almost cubist, many-sided Gatsby is more than a schmoozing opportunist because of his capacity for illusion that's what makes him "great" leaving him more than a little absurd in the emerging modernist world.
He can't see that his earnest, midwestern, pioneering spirit now reaches for something fundamentally careless, insincere, and artificial, like Daisy Buchanan; this movie wrongly gives the impression of tragically unconsummated mutual devotion.
While the forest is missed for the trees, this is still a very very fun movie, especially the mashed up styles in the soundtrack.
This review of The Great Gatsby (2013) was written by Jasonbowden1000 on 12 Oct 2013.
The Great Gatsby has generally received positive reviews.
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