Review of The Good Lie (2014) by Kimberley Jones for Austin Chronicle — 30 Sep 2014
Canadian director Philippe Falardeau (Oscar nominee for Monsieur Lazhar) films these early, subtitled scenes mostly with a documentarian’s observational remove and slightly shaky camera – an effective way to dramatize the horror of war without exploiting it, tarting it up with Hollywood techniques.
You can read the full review where it was originally posted online.
This review of The Good Lie (2014) was written by Kimberley Jones and published by Austin Chronicle on 30 Sep 2014.
The Good Lie has generally received positive reviews.
Was this review helpful?
Yes
No
