Review of The Goddess of 1967 (2000) by Jessy D — 31 Dec 2012
Traveling wildly through forbidden and forgotten landscapes and through different eras, encompassing different scenarios of either graphic or tacit brutality, Clara Law experiments with two endlessly contrasting characters in a futile search of any means that may represent the construction of an eternal oblivion. Like a haunting sample of artistic cinema gathering New Wave tendencies and a couple of remnants of old Czech experimentation, The Goddess of 1967 is a surrealistic triumph of Aussie cinema thanks to the vision of an underrated cinema heroin.
"I want to buy god".
97/100.
This review of The Goddess of 1967 (2000) was written by Jessy D on 31 Dec 2012.
The Goddess of 1967 has generally received positive reviews.
Was this review helpful?
Yes
No
