Review of The Front Runner (2018) by A.o. Scott for New York Times — 05 Nov 2018
Reitman uses Altmanesque sound design and serpentine camera movements to convey the chaos and kineticism of a process in constant, frantic motion. But after a while, once we’ve met the principal players, the speechmaking starts and a potential comedy of political manners turns into a pious, tendentious morality play.
You can read the full review where it was originally posted online.
This review of The Front Runner (2018) was written by A.o. Scott and published by New York Times on 05 Nov 2018.
The Front Runner has generally received mixed reviews.
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