Review of The Entertainer (1960) by Pauline Kael for The New Yorker — 05 Nov 1994
Tony Richardson, the director, makes several mistakes. But he has a sharp perception of camera angles, stimulates some good performances and, particularly, whips up an excellent atmosphere of a smallish British seaside resort.
You can read the full review where it was originally posted online.
This review of The Entertainer (1960) was written by Pauline Kael and published by The New Yorker on 05 Nov 1994.
The Entertainer has generally received positive reviews.
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