Review of The Doorman (2020) by Simon Abrams for RogerEbert.com — 09 Oct 2020
The bad guy likes opera in the mostly forgettable heist/hostage thriller The Doorman, a movie that’s well-versed in clichés and basically watchable, but never really good.
You can read the full review where it was originally posted online.
This review of The Doorman (2020) was written by Simon Abrams and published by RogerEbert.com on 09 Oct 2020.
The Doorman has generally received mixed reviews.
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