Review of The Disaster Artist (2017) by Richard Brody for New Yorker — 04 Dec 2017
The comedy, for all its scenes of giddy wonder, never gets past Tommy's mask of mystery; avoiding speculation and investigation, it stays on the surface of his public and private shtick, leaving little more than a trail of amusing anecdotes.
You can read the full review where it was originally posted online.
This review of The Disaster Artist (2017) was written by Richard Brody and published by New Yorker on 04 Dec 2017.
The Disaster Artist has generally received very positive reviews.
Was this review helpful?
Yes
No
