Review of The Disaster Artist (2017) by Richard Brody for New Yorker — 04 Dec 2017
The comedy, for all its scenes of giddy wonder, never gets past Tommy's mask of mystery; avoiding speculation and investigation, it stays on the surface of his public and private shtick, leaving little more than a trail of amusing anecdotes.
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This review of The Disaster Artist (2017) was written by Richard Brody and published by New Yorker on 04 Dec 2017.
The Disaster Artist has generally received very positive reviews.
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