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Last updated: 28 Jun 2026 at 05:03 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 30 Nov 2017

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The Disaster Artist is primarily a pedestal for the ultimate James Franco performance — it’s his "Lincoln." Whatever my queasiness about laughing at a head case, I couldn’t help myself from thrilling to Franco’s timing, his relish, his swan dive into an egotism that has no bottom.

You can read the full review where it was originally posted online.

This review of The Disaster Artist (2017) was written by and published by New York Magazine (Vulture) on 30 Nov 2017.

The Disaster Artist has generally received very positive reviews.

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