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Last updated: 12 Jul 2026 at 08:04 UTC

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Review of by Jeannette Catsoulis for The New York Times — 03 May 2017

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Despite frequent flashbacks and Bobby Bukowski’s richly dimensional photography, the movie has a static, stagy look that amplifies the oppressiveness of its increasingly unpleasant exchanges.

You can read the full review where it was originally posted online.

This review of The Dinner (2017) was written by and published by The New York Times on 03 May 2017.

The Dinner has generally received mixed reviews.

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