Review of The Crowd (1928) by Antonius B — 13 Jul 2018

'The Crowd' is strong in its early scenes of the life of a young man, played by James Murray. He goes to New York to make it big, and is immediately swallowed up into the masses, a cog in the mighty machine of an office, and the shots director King Vidor uses to show this are fantastic. He then meets a young woman (Eleanor Boardman), and there are some lovely scenes of them courting at an amusement park, and then at Niagara Falls on their honeymoon. From there the film almost gets too realistic as it trundles through various phases of life. We see him in awkward family gatherings, tying one on with his friend (Bert Roach) and a couple of party girls, having marital arguments, becoming a father, giving his kids horsey rides, hitting incredible high points but also enduring a deep tragedy, struggling through difficult times, and getting depressed. In many of those, there are so many little moments that heighten the realism; how silly and petty the arguments are, needing to help his kids relieve themselves at the beach, and on and on.

Most people will relate to at least some of the parts of the film, and it shows just how similar lives in the past were to our own, even though its trappings and technology were of course different. Vidor essentially shows us the universality of experience. He also shows us that ultimately love and sticking together are the way to persevere through adversity. I don't see the film as one of the greatest silent films of all time as some do, but there's a depth and quality to the film that certainly make it a good one, and worth seeing.