Review of The Courier (2020) by Anthony Lane for The New Yorker — 16 Mar 2021
Yet the movie, less stirring than it ought to be, is peculiarly cramped, lacking the emotional latitude of Bridge of Spies. Spielberg dramatized a clash of moral principles, under the cover story of a thriller, but The Courier is all that it appears to be and not much more.
You can read the full review where it was originally posted online.
This review of The Courier (2020) was written by Anthony Lane and published by The New Yorker on 16 Mar 2021.
The Courier has generally received positive reviews.
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