Review of The Commuter (2018) by Joe Morgenstern for Wall Street Journal — 11 Jan 2018

Yet the nonsense content, being pure, is liberating, and allows us to savor all the machinery as machinery: the train, the plot, the pitch-imperfect dialogue, the huffing-puffing fights, the ridiculous stunts and, yes, the climactic train wreck.

Here’s how filmmakers can fill screens when they don’t have a film to make.