Review of The Cloverfield Paradox (2018) by Barry Hertz for The Globe and Mail (Toronto) — 05 Feb 2018
Uziel's screenplay has some clever geopolitical ideas – though it's hard to tell how many of those came before or after it was Cloververse-ified via a tour through Abrams's magical mystery factory – but its twists feel routine, its narrative spine limp and its conclusion especially rushed.
You can read the full review where it was originally posted online.
This review of The Cloverfield Paradox (2018) was written by Barry Hertz and published by The Globe and Mail (Toronto) on 05 Feb 2018.
The Cloverfield Paradox has generally received mixed reviews.
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