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Review of by A.o. Scott for The New York Times — 26 Jun 2019

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The film’s style is austere — there are few camera movements and no musical score — but its visual wit and emotional sensitivity lift it above the minimalist miserablism that drags down so many well-meaning films about modern workers.

After you’ve seen it, the world looks different.

You can read the full review where it was originally posted online.

This review of The Chambermaid (2019) was written by and published by The New York Times on 26 Jun 2019.

The Chambermaid has generally received positive reviews.

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