Review of The Bubble (2022) by Jordan Raup for The Film Stage — 31 Mar 2022
Bits and pieces work—an underused Maria Bakalova, in one of her first post-Borat roles, stands out as she contends with Dieter’s advances; there are a few laughs seeing Carol dealing with a crumbling relationship at home with no way to intervene; Dustin placing more importance over this franchise than his newly adopted son––but The Bubble‘s vast majority plays as Day for Night for dummies.
Comedy can certainly be extracted from the strange new world we find ourselves in, but Apatow’s project is a meta experiment in search of a purpose beyond delivering a few scant chuckles.
You can read the full review where it was originally posted online.
This review of The Bubble (2022) was written by Jordan Raup and published by The Film Stage on 31 Mar 2022.
The Bubble has generally received negative reviews.
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