Review of The Brown Bunny (2003) by David Denby for The New Yorker — 12 Jun 2017
In brief, The Brown Bunny, however antagonistic and borderline tedious, is an art work of sorts, and Gallo himself, though an egomaniac of staggering solemnity-a priest of art longing for a cult-is not a fake.
You can read the full review where it was originally posted online.
This review of The Brown Bunny (2003) was written by David Denby and published by The New Yorker on 12 Jun 2017.
The Brown Bunny has generally received mixed reviews.
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