Review of The Brood (1979) by Michael Sragow for New Yorker — 03 May 2015
Cronenberg’s movie was an early showcase for his tense formal style and intellectual Grand Guignol. He displays a true shock-meister’s instinct by saving the worst for last. The result is a cinematic bad dream that generates recurring nightmares.
You can read the full review where it was originally posted online.
This review of The Brood (1979) was written by Michael Sragow and published by New Yorker on 03 May 2015.
The Brood has generally received positive reviews.
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