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Last updated: 11 Jun 2026 at 03:45 UTC

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Review of by Michael Sragow for New Yorker — 03 May 2015

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Cronenberg’s movie was an early showcase for his tense formal style and intellectual Grand Guignol. He displays a true shock-meister’s instinct by saving the worst for last. The result is a cinematic bad dream that generates recurring nightmares.

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This review of The Brood (1979) was written by and published by New Yorker on 03 May 2015.

The Brood has generally received positive reviews.

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