Review of The Broken Hearts Gallery (2020) by Richard Brody for The New Yorker — 24 Sep 2020
In The Broken Hearts Gallery—Krinsky’s first feature—Viswanathan’s performance lends the movie its sole impression of vitality and spontaneity, to go with its one bright light of conceptual inspiration.
You can read the full review where it was originally posted online.
This review of The Broken Hearts Gallery (2020) was written by Richard Brody and published by The New Yorker on 24 Sep 2020.
The Broken Hearts Gallery has generally received positive reviews.
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