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Last updated: 03 Jun 2026 at 22:21 UTC

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Review of by Richard Brody for New Yorker — 11 Mar 2013

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Truffaut suggests a nation straining to burst its carapace of moralism. The film's subject and its object converge in the same self-liberating social revolution that would shake the country the following year.

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This review of The Bride Wore Black (1968) was written by and published by New Yorker on 11 Mar 2013.

The Bride Wore Black has generally received positive reviews.

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