Review of The Black Room (1935) by Neil O — 31 Dec 2009
Its double the Karloff and and thus double the murder in this diabolically plotted thriller. The production design is very atmospheric with moody choices of Catholic iconography throughout the film. Angled statues of Christ on the cross and the Virgin Mary bear silent witness to the various dark acts of the murderous twin.
The film's prologue is a wonderful touch to the film and helps flesh out the story. Karloff delivers a captivating performance as both brothers with wonderful touches in both characters. Karloff contrasts the more foppish and kind-hearted Anton with the grim Gregor with very human performances for both.
Karloff's use of voice and facial expression right away allows the audience to like Anton. But its his performance as Gregor where he really lets loose; its a leering lothario of an act that remains subtly so when its Gregor playing Anton.
The film's conclusion is a bit hooky with the hound of the Baskerville saving the day, but it manages to work.
This review of The Black Room (1935) was written by Neil O on 31 Dec 2009.
The Black Room has generally received positive reviews.
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