Review of The Beguiled (2017) by David Edelstein for New York Magazine/Vulture — 19 Jun 2017
Coppola’s The Beguiled doesn’t have the southern-gothic kick of its predecessor. It’s not a horror movie. Its power is in its undercurrents, in the sense that what we’re seeing isn’t inevitable but a sort of worst-case scenario of genders in opposition.
No one is wholly good or bad. Both sides are beguiled.
You can read the full review where it was originally posted online.
This review of The Beguiled (2017) was written by David Edelstein and published by New York Magazine/Vulture on 19 Jun 2017.
The Beguiled has generally received positive reviews.
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