The Beguiled (2017) - Critic Reviews - Page 14 of 15

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Review of The Beguiled (2017)

By Jj Negrete (63) for Butaca Ancha (324) on 25 May 2017

Philippe Le Sourd's photography and Nicole Kidman's performance elevate the film and place it among the leading of a weak competition…

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Review of The Beguiled (2017)

By Jorge (Jj) Negrete (92) for Butaca Ancha (324) on 25 May 2017

Philippe Le Sourd's photography and Nicole Kidman's performance elevate the film and place it among the leading of a weak competition…

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Review of The Beguiled (2017)

By Carlos Boyero (70) for El Pais (Spain) (511) on 24 May 2017

Sofia Coppola is more interested in filming the landscape than delving into the complex reactions of the characters. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Àngel Quintana (30) for Caimán Cuadernos de Cine (109) on 24 May 2017

Sofia Coppola is surprising builds her film with rigor and even with certain asceticism. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Stephanie Zacharek (2,333) for TIME Magazine (1,130) on 24 May 2017

Though it borrows some of the gauzy mood of The Virgin Suicides, it’s essentially unlike any other Sofia Coppola film, a serene, supple picture…

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Review of The Beguiled (2017)

By Diego Battle (52) for Otroscines.com (322) on 24 May 2017

So convincing in dramatic, narrative, visual and acting terms. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Diego Batlle (225) for Otroscines.com (322) on 24 May 2017

So convincing in dramatic, narrative, visual and acting terms. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Luis Martínez (274) for El Mundo (Spain) (301) on 24 May 2017

Its density, ends up drowning a good part of the intention of a Gothic story. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Joseph Walsh (276) for The Skinny (809) on 23 May 2017

In its second half, the movie shifts gear into high Southern Gothic melodrama, and it is glorious to behold…

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Review of The Beguiled (2017)

By Gregory Ellwood (229) for Collider (1,032) on 23 May 2017

The film's ambiance is so wonderfully rendered and Coppola's perspective is so distinct it makes it all the more unexpected how slight the…

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Review of The Beguiled (2017)

By Kate Muir (612) for Times (UK) (2,458) on 23 May 2017

Sofia Coppola's American Civil War movie, The Beguiled, turns out to be a comedy as floaty and insubstantial as the dresses that her seven…

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Review of The Beguiled (2017)

By Alissa Wilkinson (499) for Vox (725) on 23 May 2017

As a film, The Beguiled is thrilling, delicious, wicked fun…

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Review of The Beguiled (2017)

By David Ehrlich (1,229) for indieWire (3,631) on 23 May 2017

The Beguiled is a lurid, sweltering, and sensationally fun potboiler that doesn’t find Coppola leaving her comfort zone so much as redecorating…

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Review of The Beguiled (2017)

By Kaleem Aftab (340) for Independent (UK) (2,026) on 23 May 2017

Coppola seems to have no interest in exploring the emotional consequences of the rivalries…

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Review of The Beguiled (2017)

By Simon Abrams (730) for Slant Magazine (8,298) on 23 May 2017

Sofia Coppola has made a modern feminist horror film about the dangers of not allowing your social conditioning to talk louder than your personal…

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Review of The Beguiled (2017)

By Jessica Kiang (522) for The Playlist (3,871) on 23 May 2017

The Beguiled only ever lets its freak flag fly at half mast, and until the end where some very enjoyable archness is allowed to creep in, this…

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Review of The Beguiled (2017)

By Emily Yoshida (237) for New York Magazine/Vulture (3,519) on 23 May 2017

I spent a chunk of the film wondering what here excited Coppola - what was it about the novel that she couldn't wait to bring to the screen…

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Review of The Beguiled (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 23 May 2017

Coppola and her production team — including The Grandmaster cinematographer Philippe Le Sourd — have created a fully realized world of…

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Review of The Beguiled (2017)

By Todd Mccarthy (1,810) for Hollywood Reporter (2,966) on 23 May 2017

It’s hard to detect a strong raison d’etre behind Sofia Coppola’s slow-to-develop melodrama…

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Review of The Beguiled (2017)

By Kristen Lopez (178) for The Young Folks (1,024) on 23 May 2017

The Beguiled is a film entrenched in Coppola's aesthetic and yet marks a departure and maturity for the filmmaker…

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