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The Ballad of Genesis and Lady Jaye (2012)
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Last updated: 29 Oct 2026 at 16:16 UTC

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The Ballad of Genesis and Lady Jaye (2012) - Movie Reviews - Page 2 of 2

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Review of The Ballad of Genesis and Lady Jaye (2012)

By David Lewis (299) for San Francisco Chronicle (7,630) on 08 Mar 2012

Most important, the relationship between P-Orridge and Lady Jaye comes off as heartfelt, and Ballad makes you feel something. Just like art…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Jeannette Catsoulis (1,537) for The New York Times (9,847) on 08 Mar 2012

Highlighting the wacky while playing down the distasteful, Marie Losier's playful profile of the English musician and artist Genesis Breyer…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Tasha Robinson (753) for The A.V. Club (5,644) on 07 Mar 2012

Genesis And Lady Jaye accurately portrays a restless artist with a kitchen-sink aesthetic, and offers up a film to match…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Diego Semerene (203) for Slant Magazine (8,298) on 07 Mar 2012

The Ballad of Genesis and Lady Jaye tries so hard to keep up with the quirkiness and theatricality of its subjects that it ends up canceling them out…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Keith Uhlich (870) for Time Out (7,510) on 06 Mar 2012

Losier has made a quietly revolutionary work that treats a pair of people on the fringes with the decency all humans deserve…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Karina Longworth (242) for Village Voice (8,525) on 06 Mar 2012

This impressionistic approach eschews traditional biography, instead giving the viewer the feeling of being inside a moment, without necessarily…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Jon Frosch (191) for France24 (78) on 18 Jan 2012

An engaging, dynamic study of mutual inspiration and unconditional love…

Review of The Ballad of Genesis and Lady Jaye (2012)

By Sukhdev Sandhu (247) for Daily Telegraph (UK) (2,495) on 09 Jun 2011

Losier's portrait, like her extraordinary subject, feels like a work-in progress rather than the final word…

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