Review of The Bad Batch (2017) by Richard Brody for New Yorker — 18 Jun 2017
The writer and director, Ana Lily Amirpour, delivers this imaginative tale as a simplistic allegory of the haves and the have-nots; she ruefully delights in the wasteland’s postindustrial wreckage while leaving characters’ thoughts and motives blank.
You can read the full review where it was originally posted online.
This review of The Bad Batch (2017) was written by Richard Brody and published by New Yorker on 18 Jun 2017.
The Bad Batch has generally received mixed reviews.
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