Review of The Babadook (2014) by Joshfriesen — 13 Jan 2015
A deliciously strange combination of the Exorcist, Repulsion, and Dr.Seuss, Jenifer Kent’s debut feature The Babadook is simultaneously true to the roots of horror and daringly original. Anchored by a brilliant performance by Essie Davis as a single mother attempting to raise a problem child without becoming a monster herself, The Babadook is possibly the best horror film to come out since Guillermo Del Toro’s Pans Labyrinth.
And yet, to say this is the best modern horror film in years feels odd, primarily because The Babadook has very little in common with the recent trends of jump scare found footage films (Paranormal Activity) or torture porn films (Saw).
No doubt, fans of these more recent horror movements will be disappointed. Jenifer Kent’s film is a better fit in the cannon of 70’s classics that capitalize on the primal fears of parenthood (Rosemary’s Baby, Don’t Look Now, The Brood).
Much like these masterpieces of horror, The Babadook is a film with depth, atmosphere, and ambiguity but most importantly it’s terrifying.
This review of The Babadook (2014) was written by Joshfriesen on 13 Jan 2015.
The Babadook has generally received very positive reviews.
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