Review of The B-Side: Elsa Dorfman's Portrait Photography (2017) by Wendy Ide for Screen International — 23 Apr 2017
Not only is it an affectionate and personal film – the subject, Elsa Dorfman, is a long-standing friend and Morris’s emotional investment in her story is evident in every frame. It’s also far more informal in approach than his normal forthright technique.
You can read the full review where it was originally posted online.
This review of The B-Side: Elsa Dorfman's Portrait Photography (2017) was written by Wendy Ide and published by Screen International on 23 Apr 2017.
The B-Side: Elsa Dorfman's Portrait Photography has generally received positive reviews.
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