The Aftermath (2019) - Critic Reviews - Page 2 of 2

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Review of The Aftermath (2019)

By Johnny Oleksinski (478) for New York Post (6,650) on 14 Mar 2019

The drama is a crude blend of history and pulpy romance, with maudlin performances from the two leads…

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Review of The Aftermath (2019)

By Mike D'angelo (730) for The A.V. Club (5,644) on 13 Mar 2019

Much of the book’s emotional context appears to have been lost in translation…

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Review of The Aftermath (2019)

By Derek Smith (382) for Slant Magazine (8,298) on 12 Mar 2019

The film’s threads of personal loss and cultural friction are all but lost amid the tawdry romantic entanglements…

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Review of The Aftermath (2019)

By Peter Travers (3,602) for Rolling Stone (4,035) on 12 Mar 2019

A stuffy, soggy slog of a movie that fails to generate sparks or a lick of dramatic sense…

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Review of The Aftermath (2019)

By Andrew Bundy (21) for The Playlist (3,871) on 08 Mar 2019

The Aftermath is simply another period melodrama that knows exactly what it is, and that just isn’t quite enough, especially when one considers…

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Review of The Aftermath (2019)

By Mark Monahan (6) for The Telegraph (1,120) on 28 Feb 2019

Unlike certain past ventures of Knightley’s, there’s little or no sense of us being given a Big Performance, and she’s often rather moving…

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Review of The Aftermath (2019)

By Helen O'hara (407) for Empire (3,446) on 26 Feb 2019

The bones of the story have been played a million times, but a talented and committed cast make this swoonsome rather than samey…

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Review of The Aftermath (2019)

By Guy Lodge (731) for Variety (12,700) on 18 Feb 2019

The result is attractive and diverting, as any well-appointed film starring these actors in mouthwatering period finery could hardly fail to…

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Review of The Aftermath (2019)

By Fionnuala Halligan (367) for Screen International (2,241) on 18 Feb 2019

The Aftermath works best when looking at the bewildered people who have been left behind, literally, to pick up the pieces…

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Review of The Aftermath (2019)

By Eric Kohn (1,203) for IndieWire (3,631) on 18 Feb 2019

None of the pretty imagery or impassioned lovemaking can break free of a mopey old formula that sits on every scene with the same schematic…

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Review of The Aftermath (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 18 Feb 2019

It is more of a holiday romance and the well-intentioned performances lead nowhere…

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Review of The Aftermath (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 Feb 2019

Where it might have been an old-fashioned melodrama with credible historical appeal, instead it suggests an old-school celluloid epic whose…

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Review of The Aftermath (2019)

By Robert Abele (1,309) for TheWrap (3,203) on 18 Feb 2019

Director James Kent’s adaptation of Rhidian Brook’s 2014 novel — about a ghost-like Germany, a broken British marriage, and the healing…

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