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Last updated: 19 Jul 2026 at 02:21 UTC

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Review of by Rita Kempley for Washington Post — 15 Feb 2001

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Katheryn's summation was meant to be the final flourish, but McGillis gives a flat-footed performance. However, Foster overcomes McGillis' inertia, as the sweet-natured Sarah, a lonely little waitress who makes her home in a trailer park.

Under her tight jeans and tough talk, she proves as fragile as a ballerina on a music box. Foster creates the ultimate victim without ever becoming a wimp, mixing dignity with defenselessness. The Accused must be acquitted of its misdemeanors if not for its good intentions, for this vibrant performance.

You can read the full review where it was originally posted online.

This review of The Accused (1988) was written by and published by Washington Post on 15 Feb 2001.

The Accused has generally received positive reviews.

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