Review of The 15:17 to Paris (2018) by A.o. Scott for New York Times — 07 Feb 2018
Mr. Eastwood, who has long favored a lean, functional directing style, practices an economy here that makes some of his earlier movies look positively baroque. He almost seems to be testing the limits of minimalism, seeing how much artifice he can strip away and still achieve some kind of dramatic impact.
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This review of The 15:17 to Paris (2018) was written by A.o. Scott and published by New York Times on 07 Feb 2018.
The 15:17 to Paris has generally received mixed reviews.
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