Review of Teza (2008) by Miguel A — 25 Sep 2010
This is not a technically perfect film, but despite the various flaws I would have to say that it's one of the most potent portrayals of political disillusionment and personal anguish that I've ever seen committed to celluloid.
Anberber's story is not only a deeply intimate tragedy but also serves as the biography of a generation, and accomplishing storytelling on such an epic scale with such a shoestring budget is a truly masterful achievement.
There are so many subplots that seem to cover such a huge range of life experiences faced by Ethiopians and those living among the diaspora that it all coalesces into a something beyond any particular plot detail.
It is definitely a commitment to watch this film because of its kaleidoscopic, fragmented narrative, and even Haile Gerima's editing doesn't do much to help make the experience any more palatable.
While most African films are characterized by long and meditative shots, Gerima makes a deliberate effort to vary the pace and include a lot of short cuts that are kind of jarring at times. This is an effective way of conveying the spirit (or post-traumatic stress) that haunts Anberber's mind, but it won't do much to make the film more accessible to audiences that are looking for something easy.
Indeed, this is not an easy film, as it is not about an easy subject matter, but it is absolutely worth seeing for its ability to hold the truth up as the world's highest art and our greatest hope.
This review of Teza (2008) was written by Miguel A on 25 Sep 2010.
Teza has generally received very positive reviews.
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