Review of Tex (1982) by Ruben A — 20 Jun 2011
Matt Dillon has never been more subtly expressive and transparent, and maybe only funnier in Singles; Jim Meltzer is actually funny here as a straight man; there is some great camerawork and lighting. S.
E. Hinton seems to be dealing with more Judy-Blume type issues here, so the movie works like a neorealist afterschool special.
This review of Tex (1982) was written by Ruben A on 20 Jun 2011.
Tex has generally received positive reviews.
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