Review of Terms of Endearment (1983) by Brett C — 14 Jan 2014
Terms of Endearment is a film that I had no clue on whether or not it would appeal to me. After seeing it twice I can safely say that for the most part, the film made an impression and it is hard to nitpick on a film that is directed so well that seeing it's flaws did make me feel awful. Objectively, the film does have it's flaws but it's a flaw that I felt that was only raised due to my personal tastes.
The film is based on a book by Larry McMurtry and the screenplay was written by James L. Brooks. I have not read the novel so I do not know how much it stays faithful to the source material but for the most part I can say that Brooks has written something beautiful. The film travels through the moments of these characters lives whether they are positive or negative, and the timeline span is quite huge. The film jumps from year to year, which felt spontaneously but that could have resolved if the film spends more time at that moment, but running the risk of feeling to overbloated and long. This does end up making the film feel very episodic and it may not be an approach that would appeal to everyone as some would prefer a flowing experience of these people's lives. Brooks wants us to experience the lives of both Aurora and Emma and not have us be focused on a plot in driving the film forward. This episodic approach does at times do make the film feel draggy and honestly a certain time period could have been a film on it's own if explored long enough. The highlight of the film is the relationship between Aurora and Garrett as the clashing of both personalities just brings out moments of humor and surprisingly at times warmth and happiness.
James L. Brooks also directed this film and I must say that he has done a magnificent job. Brooks' direction is the reason that the film doesn't feel like going through the same motions again and again because he doesn't fill the film entirely with one note. There are times where you may feel like you are about to shed a tear and there are moments that would make you laugh, and because the film allows us to look into their lives in a natural and lengthy approach, it doesn't let the moments of humor and melodrama feel forced. There were moments where it might land on heavy sentimental territory but Brooks' balance with humor buffers that tone. This was Brooks' first film and what a great way to start off his directorial career by winning Best Picture and Best Director at the Oscars.
The film's director of photography was Aandrzej Bartkowiak and he has worked on some notable films later on like Falling Down and Speed. Terms of Endearment was one of his early films and what he has done for Brooks' film is that he gave the picture a warm tone and has a soft look to it. The film's warm tone definitely a major apparatus in conveying the light heartedness that drives the film and it also allows the film to feel accessible. Brooks and Bartkowiak has opted to use an abundance of close-ups as the film is drama centered and the film primarily focuses on the characters reactions and feelings towards certain things, the expressions on the actor's faces makes this film feel wonderful and most importantly natural.
The film's score is composed by Michael Gore and if I had to describe his work for this film in a nutshell, it would be beautiful. The score is driven with this light piano sound and it goes back and forth to being sad and cheerful, which kind of a great representation of life. Michael Gore doesn't seem to be working lately but he has worked on notable films like Fame and, a personal favorite of mine, Pretty In Pink. Gore's work here is definitely a standout and is a central key in having us laugh or cry throughout this film.
This film has a stellar cast with almost all of the key players being nominated for their performances. Debra Winger was fantastic who starts off as being young, quirky and adorable to a matured, experienced and endearing person. The evolution of her character is amazing and that I really believed that she went through everything that was shown on screen. Shirley MacLaine won Best Actress for this film and it was well deserved though competing against her co-star was a tough one. I personally think that Debra deserved the award but I cannot say that MacLaine's performance doesn't deserve any accolades. MacLaine was able to shine throughout the entire film as she is at her best when she has someone to challenge with in a scene, so all of the moments where she is with Debra Winger or Jack Nicholson, it brought out the best of her. Jack Nicholson is not the focus of this film but he does make quite an impression in this film and I was also surprised he was able to come off as sweet and likable as my experience with his films are usually him playing someone frightening or intimidating. Jeff Daniels was not given the attention he deserved for this film, in my opinion he gave an award winning performance and he was able to come off as likable and sympathetic even after everything he has caused. John Lithgow was also great though his role was quite short. This film is a type of film that challenges and brings out the capabilities of an actor and each cast member have shown off their most outstanding of performances here in this film.
Terms of Endearment is not perfect in my eyes but it gets a lot of things right that it would be horrible decision to pass it up. James L. Brooks' wonderful direction and Michael Gore's score will have you laughing and crying from start to finish, and acting performances that will have you caring for the characters and the troubles and joys that they go through.
This review of Terms of Endearment (1983) was written by Brett C on 14 Jan 2014.
Terms of Endearment has generally received very positive reviews.
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