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Last updated: 12 Jun 2026 at 04:57 UTC

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Review of by Glenn Heath Jr. for Slant Magazine — 10 Aug 2017

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Sweetie’s brilliance stems from how Campion inventively explores the relationship between inanimate objects and personal memory, Sally Bongers’s static camera lingering on the precipice of a family unit brimming with secrets and lies.

You can read the full review where it was originally posted online.

This review of Sweetie (1989) was written by and published by Slant Magazine on 10 Aug 2017.

Sweetie has generally received positive reviews.

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