Review of Sweet Country (2018) by Glenn Kenny for RogerEbert.com — 05 Apr 2018
This is a movie of visuals first and foremost; it’s no fluke that director Warwick Thornton shared cinematography duties with Dylan River. In addition to capturing stunning images, Thornton has a sleight-of-hand maestro’s joy in shuffling and fanning them.
Lightning-fast cuts to flashbacks and flash-forwards keep the viewer on his or her toes in a bracing fashion.
You can read the full review where it was originally posted online.
This review of Sweet Country (2018) was written by Glenn Kenny and published by RogerEbert.com on 05 Apr 2018.
Sweet Country has generally received positive reviews.
Was this review helpful?
Yes
No
