Review of Sweet Bird of Youth (1987) by Jonathan Rosenbaum for Chicago Reader — 04 Jun 1963

[Brooks's] second Williams adaptation (1962) is literally a form of emasculation that offers little indication of what made the original play interesting (especially in Elia Kazan’s stage production), despite the fact that Paul Newman and Geraldine Page are called on to reprise their original roles—as a hustler returning to his southern hometown and a Hollywood has-been—and do a fair job with Brooks’s hopeless script.