Review of Sugar Hill (1994) by Geoff Andrew for Time Out — 19 May 2006

The generally strong performances do justice to scriptwriter Barry Michael Cooper's evident desire to avoid the New Jack stereotyping of many contemporary black crime movies; the fluid camera and lush jazz score ensure that it looks and sounds classy; and much of the time the director's understatement and attention to detail are a distinct advantage.

However, matters are not helped by an actorly tone, some plot-stopping big speeches, and an often sluggish pace.