Review of Sucker Punch (2011) by Eli T — 14 Mar 2013
An expertly stylized, highly original take on the fantasy genre. The phenomenal choreographing and intriguing landscapes more than make up for the few missteps caused by spotty acting. Browning, however, extends a graceful and sensual presence on screen, exhibiting an air of confidence and incorruptibility that is felt through the credits.
The result is magnificent. Beautiful film and fantastically realized by the talented Zack Snyder, who both wrote and directed it. Snyder's biggest strength is unquestionably his uncanny ability to direct cinematography.
His ensemble of lovely women slash and stab their way with angelic abandon through technical accomplishment and phenomenally realized fantasy landscapes. It is here that Sucker Punch earns the ticket price.
The cinematography's total opulence is undeniable. Resplendently mesmeric shots tell an emotional story of darkness and courage. The opening sequence, sublimely told with Snyder's signature color-correction operating firmly in place, is superb, awe-inspiringly beautiful, twisted, and kinetic all at the same time.
Babydoll's gorgeous looks and graceful innocence are radiantly sexualized, unrestrained beauty complimented by a refusal to objectify or exploit her. The lustrous cinematics captivate with their nebulous delicateness, their morbid magnificence, their svelte and spellbinding style kaleidoscopically prismatic and unquenchably grand.
What a success!
This review of Sucker Punch (2011) was written by Eli T on 14 Mar 2013.
Sucker Punch has generally received mixed reviews.
Was this review helpful?
