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Last updated: 19 Jul 2026 at 00:01 UTC

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Suburbicon (2017) - Critic Reviews - Page 2 of 12

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Review of Suburbicon (2017)

By Eleanor Ringel Cater (614) for Atlanta Business Chronicle (2) on 27 Dec 2017

The stories never mesh. In fact, they barely belong in the same movie…

Review of Suburbicon (2017)

By Andrew Osborne (8) for culturevulture.net (793) on 18 Dec 2017

To say more about the plot's twisty schemes and double crosses would be to spoil the fun of this flawed yet highly watchable B-movie…

Review of Suburbicon (2017)

By Robert Kojder (605) for Flickering Myth (680) on 05 Dec 2017

Then there's the ending, which is touching but deserves to be in a far better film, preferably one that understands how to reach its point…

Review of Suburbicon (2017)

By Reza Noorani (47) for The Times of India (879) on 05 Dec 2017

A film with a wonderfully complex first half deserves a second one that matches. The banal simplicity is what is off-putting…

Review of Suburbicon (2017)

By Manu Yáñez (20) for Fotogramas (68) on 04 Dec 2017

Could it be that Clooney's noble intentions did nothing but increase the open gap in American society…

Review of Suburbicon (2017)

By Fausto Fernandez (37) for Fotogramas (68) on 04 Dec 2017

It is in that tone of satire and nightmare where the film knows how to situate its static dummies. [Full Review in Spanish]…

Review of Suburbicon (2017)

By Nando Salvá (25) for Cinemanía (Spain) (558) on 04 Dec 2017

Clooney should have invited the Coen brothers to the shoot more often. [Full review in Spanish]…

Review of Suburbicon (2017)

By Donald Clarke (1,051) for Irish Times (1,391) on 01 Dec 2017

You know what they say about the road to hell. Here the good intentions are so compromised they scarcely merit the description…

Review of Suburbicon (2017)

By Markie Robson-Scott (20) for The Arts Desk (640) on 01 Dec 2017

It could have been much more satisfying if Clooney and Heslov had stuck with the original plan and explored the timely real-life story Suburbicon…

Review of Suburbicon (2017)

By Hilary A White (243) for Sunday Independent (Ireland) (504) on 30 Nov 2017

Suburbicon somewhat argues that we should persevere with Clooney as a director of scope and dexterity even if not everything he throws at the…

Review of Suburbicon (2017)

By Ellen Murray (27) for Film Ireland Magazine (354) on 30 Nov 2017

Though visually pleasant, if lacking flair, director George Clooney just can't make the film come together in a way that will elicit an audience…

Review of Suburbicon (2017)

By Alan Corr (65) for RTÉ (Ireland) (721) on 27 Nov 2017

Maybe Clooney and the Coens are trying to make a point about how white privilege blocks out the rights and needs of an embattled part of society…

Review of Suburbicon (2017)

By Mario P. Székely (118) for Siete24.mx (118) on 27 Nov 2017

Clooney forgets that cinema is about empathy. [Full Review in Spanish]…

Review of Suburbicon (2017)

By Adrián Ruiz (125) for Excelsior (313) on 27 Nov 2017

As the plot progresses, the elements falter and become unstable. [Full Review in Spanish]…

Review of Suburbicon (2017)

By Arturo Magaña (20) for Cine Premiere (538) on 27 Nov 2017

…

Review of Suburbicon (2017)

By Pablo A. Scholz (320) for Clarín (492) on 27 Nov 2017

It's difficult to balance comedy, satire and thriller... and that's why Suburbicon, from the beginning, takes its time. [Full review in Spanish]…

Review of Suburbicon (2017)

By Diego Batlle (225) for La Nación (Argentina) (226) on 27 Nov 2017

Manipulative and irritating. [Full Review in Spanish]…

Review of Suburbicon (2017)

By John Serba (472) for MLive.com (475) on 27 Nov 2017

The movie spikes with broadly comic or grisly violent extremes, but smooths out for dull stretches, and is oddly deaf to the tones of its thematic…

Review of Suburbicon (2017)

By Ian Freer (515) for Empire Magazine (3,326) on 27 Nov 2017

Suburbicon is a strange beast: a by-the-numbers ’40s film noir bolted to an unsatisfying ’60s racial drama wrapped up in a ’50s Americana…

Review of Suburbicon (2017)

By Andy Lea (545) for Daily Express (UK) (2,141) on 26 Nov 2017

The characters are dull and defiantly unlikeable, the acting is wooden, the score is overbearing and its point is elusive…

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