Stars at Noon (2022) - Critic Reviews - Page 2 of 2

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Review of Stars at Noon (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 26 May 2022

Stars at Noon is at its best when it has Trish and Daniel suspended in horny limbo, with Denis building an atmosphere of sultry languor that…

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Review of Stars at Noon (2022)

By Guy Lodge (731) for Variety (12,700) on 26 May 2022

Trish is the plum part here, and a sensational Qualley — cycling through a ragged thrift-store wardrobe, with a lavish halo of dark curls…

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Review of Stars at Noon (2022)

By Nicholas Barber (220) for BBC (137) on 26 May 2022

Partly because the characters look so healthily pretty, and partly because the mood is so woozy, The Stars at Noon feels more like a stylish…

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Review of Stars at Noon (2022)

By Jonathan Romney (434) for Screen Daily (1,021) on 26 May 2022

The result – something like a female-fronted version of Antonioni’s The Passenger - isn’t likely to entirely satisfy anyone in either…

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Review of Stars at Noon (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 26 May 2022

This film touches on her keynote themes of sexuality and colonialism, in its 21st-century manifestation, though maybe the romantic passion…

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Review of Stars at Noon (2022)

By Charles Bramesco (223) for The Playlist (3,871) on 26 May 2022

When you’re this good, the weakest entry in your filmography can still be largely inoffensive, far from fiasco territory…

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Review of Stars at Noon (2022)

By Ryan Leston (31) for Slashfilm (971) on 26 May 2022

The end result is a slow-burn romantic thriller that's so slow it doesn't really seem to go anywhere…

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Review of Stars at Noon (2022)

By Phil De Semlyen (265) for Time Out (7,510) on 26 May 2022

Vaguely redolent of Salvador, only slowed right down to a walking pace, or The Passenger without its seductive sense of place (and Jack Nicholson),…

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Review of Stars at Noon (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 May 2022

There’s almost always something interesting about even Denis’ flawed films, but this troubled travelogue just feels a little off at every…

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