Review of Spotlight (2015) by Anthony Lane for The New Yorker — 02 Nov 2015
One of its major virtues is what’s not there: no creepy flashbacks of prowling priests, or — as in the prelude to Clint Eastwood’s “Mystic River” — of children in the vortex of peril. Everything happens in the here and now, not least the recitation of the there and then.
You can read the full review where it was originally posted online.
This review of Spotlight (2015) was written by Anthony Lane and published by The New Yorker on 02 Nov 2015.
Spotlight has generally received very positive reviews.
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