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Last updated: 13 Jun 2026 at 06:14 UTC

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Review of by Moira Macdonald for The Seattle Times — 18 Jan 2017

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You can see why McAvoy was drawn to the role — it’s as if he’s playing every character in a very populated if not particularly well-scripted play — and he demonstrates a shellacked creepiness that’s effective.

But Shyamalan can’t find much else that’s new or appealing in this overlong girls-in-peril exercise.

You can read the full review where it was originally posted online.

This review of Split (2017) was written by and published by The Seattle Times on 18 Jan 2017.

Split has generally received positive reviews.

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