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Last updated: 19 Jul 2026 at 11:00 UTC

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Review of by Gary Arnold for Washington Post — 05 Oct 1996

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Both The French Connection and The Exorcist gave Friedkin a reputation as a talented manipulator, but it appears that he may have begun to overestimate the appeal of manipulation for its own sake. The characters and episodes in Sorcerer seem totally arbitrary.

They're used to implement certain pictorial or inconographic notions, but they're never developed dramatically.

You can read the full review where it was originally posted online.

This review of Sorcerer (1977) was written by and published by Washington Post on 05 Oct 1996.

Sorcerer has generally received very positive reviews.

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