Review of Soni (2019) by Willow Maclay for The Film Stage — 27 Jan 2019
Soni is shot like an entirely third-person experience, but is scripted like a workplace drama, begging for us to know Soni and Kalpana inside and out. By tracking them instead of giving them space to take up the frame while the camera sits, it always seems like these two characters are too far out of reach, and in a movie of this type, that is a death knell.
You can read the full review where it was originally posted online.
This review of Soni (2019) was written by Willow Maclay and published by The Film Stage on 27 Jan 2019.
Soni has generally received positive reviews.
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