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Song to Song (2017) - Critic Reviews - Page 4 of 7

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Review of Song to Song (2017)

By Stephanie Zacharek (2,333) for TIME Magazine (1,130) on 23 Mar 2017

Song to Song is slightly less pretentious than Malick's last film, the 2015 sigh of ennui Knight of Cups, though it features just as many miniature…

Review of Song to Song (2017)

By Ty Burr (2,612) for Boston Globe (6,852) on 23 Mar 2017

At times in Song to Song, the effect is mesmerizing, mostly when Mara is onscreen in all her tremulous bioluminescence…

Review of Song to Song (2017)

By Sam Adams (514) for Slate (2,081) on 23 Mar 2017

Even at his most indulgent, Malick brings something to the movies that no one else ever has, a way of looking at the world that is easily imitated…

Review of Song to Song (2017)

By Michael Phillips (2,622) for Chicago Tribune (6,211) on 23 Mar 2017

Frequently maddening in its reiteration and circularity, Song to Song nonetheless offers more of interest (along with the hooey) than I found…

Review of Song to Song (2017)

By Richard Roeper (2,737) for Chicago Sun-Times (7,580) on 23 Mar 2017

So many great actors, cast adrift by a script that feels incomplete and a brilliant director delivering one of his lesser works…

Review of Song to Song (2017)

By Kimberley Jones (866) for Austin Chronicle (7,653) on 23 Mar 2017

It's hard to say if the film's opaqueness is a distraction, or a saving grace; certainly, this kind of Euro arty ethos is easier to swallow…

Review of Song to Song (2017)

By Colin Covert (1,936) for Minneapolis Star Tribune (2,416) on 23 Mar 2017

It's a haunting, doleful meditation on sex, drugs and rock 'n' roll, the type of movie that can deeply move you and leave you wondering why…

Review of Song to Song (2017)

By Gary Thompson (1,554) for Philadelphia Inquirer (3,920) on 22 Mar 2017

Song to Song is quintessential Terrence Malick movie; it's a collection of ecstatic images designed to invoke the divine, to affirm the presence…

Review of Song to Song (2017)

By Kelly Vance (1,015) for East Bay Express (1,012) on 22 Mar 2017

The investigation into Terrence Malick's fall from grace continues with his latest, Song to Song, a film very much like Malick's previous one,…

Review of Song to Song (2017)

By Armond White (604) for National Review (314) on 22 Mar 2017

The major quest in Song to Song is Malick's search for a story…

Review of Song to Song (2017)

By Travis Hopson (923) for Punch Drunk Critics (518) on 22 Mar 2017

The distinguished director has been making the same movie out of the same B-roll footage for years now, and it reaches an unfortunate climax…

Review of Song to Song (2017)

By Laura Clifford (2,742) for Reeling Reviews (4,376) on 22 Mar 2017

For 129 minutes, we're treated to Oscar winning cinematographer Emmanuel Lubezki's (Gravity) camera swirling around characters breaking into…

Review of Song to Song (2017)

By Rex Reed (1,506) for New York Observer (1,400) on 21 Mar 2017

I call it cinematic freebasing…

Review of Song to Song (2017)

By Dustin Putman (2,479) for TheFilmFile.com (2,314) on 21 Mar 2017

It is with heartening exhilaration to announce, then, the Malick of old has finally returned…

Review of Song to Song (2017)

By Jason Bailey (832) for Flavorwire (598) on 20 Mar 2017

Of course you don't have to conform to traditional filmmaking norms…

Review of Song to Song (2017)

By Julia Felsenthal (28) for Vogue (149) on 20 Mar 2017

A long, strange, unexpected trip that's visually beautiful and unsettling in a way that lingers…

Review of Song to Song (2017)

By Richard Brody (868) for New Yorker (1,403) on 20 Mar 2017

Malick…

Review of Song to Song (2017)

By David Sims (534) for The Atlantic (1,046) on 18 Mar 2017

Song to Song seems destined to be remembered only by Malick's most die-hard fans, who can pore over its semiotic details for years to come…

Review of Song to Song (2017)

By Jimmyo (378) for JoBlo's Movie Emporium (1,959) on 17 Mar 2017

Only for the most hardcore Terrence Malick fans... and even they may not dig this particular tune…

Review of Song to Song (2017)

By Kenji Fujishima (277) for Paste Magazine (2,906) on 17 Mar 2017

The great achievement of Malick's latest film is that he validates that sentiment through the sheer power of his visceral, sensual, and above…

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