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Review of by Allan C — 13 Jul 2017

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This was the only John Hughes film from his 80s heyday that I had not seen back in the day. I remember seeing the previews for this and when Mary Stuart Masterson says, "The only things I care about in this goddamn life are me and my drums and you" I scoffed and wrote the film off.

I shouldn't have because this was a very endearing and sincere teen drama. The film is a love triangle between working class Eric Stoltz, who is crushing on rich girl Lea Thompson, who's also best friends will fellow working class tomboy Mary Stuart Masterson, who is also crushing on Stoltz.

What made this film more interesting than most is how the relationships play out. Thompson only agrees to go on a date with Stoltz as a way to get back at her jerk rich boyfriend, Craig Sheffer, who she just broke up with.

None of Thompson's friends think she should go out with Stoltz, and all of the other kids, including Masterson, tell Stoltz she's only going out with him to get back at her ex-boyfriend. Thompson (SPOILER ALERT) never seems interested in Stoltz and I think that's where this film get a bit more interesting than most, taking a less obvious of standard love triangle.

There is a bit of suspense whether Thompson will actually start to like Stoltz the way he likes her, but the main drama is whether Stoltz will realize that he should be with Masterson. I wasn't really sure how this film was going to play out, which is always good for a film.

Hughes' "Pretty in Pink" has the rich boy casting aside the aspersions of his snooty friends to end up with the cute working class girl. That film's original script was supposed to have had a different ending, with Molly Ringwald ending up with Ducky, but that ending was re-shot after test audiences didn't it (Cryer was clearly playing Ducky as gay, so there was never really any real romantic tension there, so the change was the right choice).

This film retains Pretty in Pink's original ending, which may have been the impetus for re-writing what is essentially the same class conflict love triangle. Another strength of this film is it's strong supporting cast, which includes the sadly underused John Ashton as Stoltz' gruff but understanding father and Elias Koteas looking very young as a punk rock bad boy who helps out Stoltz, which is a hoot to watch.

And look for a very young Candace Cameron as one of Stoltz' younger sisters. Overall, when it comes to class warfare love triangles, this film is certainly not "A Place in the Sun" and although it is not as iconic as "Pretty in Pink," it does feature strong performances by the three leads, well rounded characters you believe and care about, and a very realistic and identifiable love story.

All around, this is a solid 1980s teen drama that deserves to be remembered alongside "The Breakfast Club" and "Pretty in Pink.".

This review of Some Kind of Wonderful (1987) was written by on 13 Jul 2017.

Some Kind of Wonderful has generally received positive reviews.

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