Review of Softie (2022) by Carlos Aguilar for Los Angeles Times — 30 Jan 2021

For Mwangi, Softie serves as testament of the domesticity he’s been absent from to satisfy the demands of his thankless vocation. But for the rest of us, it stands as a portrait of the kind of selfless, unifying and much-needed patriotism, from both Mwangi and Njeri, that could enact improvement if more subscribed to it wholeheartedly.