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Last updated: 07 Jun 2026 at 18:31 UTC

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Review of by Stephen Holden for The New York Times — 22 May 2013

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For an actor like Mr. Hopkins, disappearing into another character, especially a historical figure, must be a far more unsettling deconstruction of reality than for the casual moviegoer observing the transformation.

That is a notion Slipstream might have explored more fruitfully, had it focused its wandering attention span, kept its camera steadier and figured out what it wanted to say.

You can read the full review where it was originally posted online.

This review of Slipstream (2007) was written by and published by The New York Times on 22 May 2013.

Slipstream has generally received mixed reviews.

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